" … his dynamic playing, stature, strong sound, and intellectual approach reminds
one of the great David Oistrakh.”

Fahrettin Kerimov, conductor
Azerbaijan State Artist­­­­­

________

"… thoroughly steeped in experience as soloist and chamber musician … beautiful tone, mature understanding of repertoire
and style, excellent rhythmic sense, and impeccable intonation. I admire [his] talent, discipline, and experience.”

Bridget-Michaele Reischl, conductor
Green Bay Symphony Orchestra

________

".. a violinist and musician of the
highest calibre..."

Malcolm Layfield, violin
Goldberg Ensemble

________

" … a first class experience musically."
" … very sophisticated playing".

Roger Bigley, viola
Royal Northern College of Music, England

".. a first class musician with an excellent technique...”

Timothy Walker, guitar
Royal Academy of Music, England

________

"… superior performing ability and intelligent musicianship …”

Pablo Sabat, conductor
Peruvian National Youth Orchestra

________

"… a wonderful violinist … incisive technique and passionate temperament…”

Robert Carl, composer

________

" … a highly creative, intelligent and thoughtful musician. … excellent communicator.."

Karin Greenhead, Dalcroze specialist
Royal Northern College of Music, England


­­­­­­­­­­­­

"… an excellent violinist with strong technique and a beautiful sound. He feels the music deeply and is able to communicate this convincingly to an audience. He has a most satisfying combination of exciting passion and subtle sensitivity".

Philip Setzer, violin
Emerson String Quartet

________

".. a talented, intelligent and industrious violinist... a sensitive, thoughtful player, always coordinating with and responding to his fellow musicians".

Eugene Drucker, violin
Emerson String Quartet

________

"… genuinely excels in each genre. … one of the most versatile and open-minded musicians … stellar level of musicianship …”

Benjamin Toth, percussion