" … his dynamic playing, stature, strong
sound, and intellectual approach reminds
me of the great David Oistrakh.”
Fahrettin Kerimov, conductor
Azerbaijan State Artist
________
"… thoroughly steeped in experience as
soloist and chamber musician … beautiful
tone, mature understanding of repertoire
and style, excellent rhythmic sense, and impeccable intonation. I admire [his] talent, discipline, and experience.”
Bridget-Michaele Reischl, conductor
Green Bay Symphony Orchestra
________
".. a violinist and musician of the
highest calibre..."
Malcolm Layfield, violin
Goldberg Ensemble
________
" … a first class experience musically."
" … very sophisticated playing".
Roger Bigley, viola
Royal Northern College of Music, England
".. a first class musician with an excellent technique...”
Timothy Walker, guitar
Royal Academy of Music, England
________
"… superior performing ability and
intelligent musicianship …”
Pablo Sabat, conductor
Peruvian National Youth Orchestra
________
"… a wonderful violinist … incisive
technique and passionate temperament…”
Robert Carl, composer
________
" … a highly creative, intelligent and
thoughtful musician. … excellent
communicator.."
Karin Greenhead, Dalcroze specialist
Royal Northern College of Music, England
"… an excellent violinist with a strong technique and a beautiful sound. He feels
the music deeply and is able to communicate this convincingly to an audience. He has a most satisfying combination of exciting passion and subtle sensitivity".
Philip Setzer, violin
Emerson String Quartet
________
".. a talented, intelligent and industrious violinist... a sensitive, thoughtful player, always coordinating with and responding
to his fellow musicians".
Eugene Drucker, violin
Emerson String Quartet
________
"… genuinely excels in each genre. … one
of the most versatile and open-minded musicians … stellar level of musicianship …”
Benjamin Toth, percussion